Combining processes of repetition and intervention from photography, video art, and printmaking, Annette examines personal relationships in her own life to understand how gender, sexuality, and love of all kinds shape the way we see and relate to one another. She works to make sense of intimacy, mapping where it is embedded in language, music, and rhythm, and to express these experiences auditorily, visually, and temporally across mediums.

Annette experiments with how different mediums can build on each other through repetition and intervention—tracing, carving, and layering images in the printmaking, editing, and serial photography processes. She is interested in what can be discovered when digital images are reconstructed by hand: what softens, what sharpens, and what becomes newly legible. Past projects have turned photographs into block and screen prints while her current work, The Last Dance, uses film as the base of its screenprint.